Ruins of the Sun

The first whispers I heard concerning Louis le Palme’s Ruins of the Sun arrived just hours before the film’s first and, as far as I have been able to determine, only screening.

Unfilled

“Fuck,” the Con Artist said. The stack of fake IDs he’d been holding flew wild, into the dirt, lamination gleaming in the mid-morning sun.

House

Right before I caved and called Dad, his work called. They never do that. The woman’s voice was warm but strange, shaky at the end of sentences.